Cut ups, mash-ups, circuit bending, tape-mangling and, oh yeah, the Dr. Who theme.
"Although Dr Who made Delia and the Radiophonic Workshop nationally famous, it was her other drama and features work that showed her true talent. Her collaborations with the poet and dramatist Barry Bermange for the Third Programme showed her at her elegant best.
He put together The Dreams (1964), a collage of people describing their dreams. It was set by Delia into a background of pure electronic sound. In a second 1964 Bermange piece about people’s experience of God and the devil, Amor Dei, he asked her to create a gothic altarpiece of sound. She composed this with snippets of archive and voices, again with only the simplest of equipment and facilities, often working through the night, for weeks on end.”